Prolific TV actress-comedienne first received attention onstage in such revues as "New Faces of 1952"; two years later she reprised her role in the film adaptation, committing her hilarious rendition of "The Boston Beguine" to celluloid. By the time of her Tony-winning performance in "The Sign in Sidney Brustein's Window" (1965), though, Ghostley had largely transferred her energies to the small screen.